Understanding harmony is more than memorizing chord shapes or scale patterns—it’s learning how chords and scales work together to create music.
The HGB6 Chord-Scale Harmony library explores the relationship between chords and the scales from which they are derived. Each worksheet pairs carefully selected HGB6 chord voicings with their corresponding scale, helping you visualize harmony across the fretboard while developing a deeper understanding of improvisation, accompaniment, and composition.
Use the chord progressions to create grooves, then explore the accompanying scale to improvise solos, develop melodies, or harmonize with the chords to add color and movement. HGB6 players can also practice outlining bass lines on the lower strings while navigating the corresponding scale on the guitar side of the instrument, building coordination and strengthening the connection between rhythm, harmony, melody, and bass.
Organized by harmonic families, these studies progress from essential major and minor harmony to modal, altered, and symmetrical concepts. Whether you’re building a jazz vocabulary, developing independence on the HGB6, or expanding your overall musicianship, these worksheets provide a structured path for connecting music theory with practical playing.
The major ii–V–I progression is the foundation of tonal jazz harmony. These worksheets demonstrate how the major scale generates the chords most commonly found in jazz standards while developing guide-tone movement, voice leading, and functional harmonic awareness. Mastering this section provides the vocabulary used throughout countless songs.
Minor ii–V–i progressions introduce the rich harmonic colors of the harmonic minor system. These studies explore the relationship between half-diminished chords, altered dominants, and minor tonic resolution, providing the essential vocabulary for understanding minor-key harmony in jazz and contemporary music.
Minor harmony extends beyond a single sound. These worksheets compare harmonic minor and melodic minor through tonic minor chord families such as minor-major seventh and minor sixth chords. Exploring these harmonic colors develops a broader understanding of modern jazz harmony and expands your expressive vocabulary.
Altered dominant chords create tension that naturally resolves to a new tonal center. Derived from the altered scale, these worksheets introduce advanced harmonic colors used throughout bebop, fusion, and modern jazz. Learning these relationships strengthens both harmonic understanding and improvisational freedom.
The half-diminished chord is a defining sound of minor harmony. These studies explore the relationship between m7♭5 chords, altered dominants, and the Locrian ♮2 mode, demonstrating how these sounds function together within minor ii–V progressions. This section bridges traditional harmony with more contemporary jazz language.
Modal harmony shifts the focus from chord progression to harmonic color. Each worksheet explores the unique character of an individual mode while demonstrating how different interval structures influence melody, accompaniment, and improvisation. These studies are ideal for static vamps, modal composition, and expanding your musical palette.
Pentatonic scales provide one of the most universal improvisational vocabularies in music. These worksheets connect familiar pentatonic sounds with their underlying harmonic framework, helping players bridge blues, rock, jazz, gospel, and fusion while developing confident melodic phrasing.
Dominant harmony extends far beyond the basic seventh chord. These studies explore ninths, thirteenths, suspended chords, and other extensions while demonstrating how each color relates to the Mixolydian sound. The result is a richer harmonic vocabulary for comping, groove playing, and modern accompaniment.
Symmetrical harmony is built from evenly spaced interval patterns that create unique harmonic possibilities. Diminished and augmented structures repeat predictably across the fretboard, making them powerful tools for creating tension, modulation, substitutions, and advanced harmonic movement. These studies introduce some of the most elegant geometric concepts in music theory.
DRAGON JAMZ 